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SUSPECT: Script (with camera shots)

Script
Scene 1
(Canted shot- Steady cam)
Detective: Charles Wicket. He’s no longer a victim. He’s a suspect.
(Detective picks up the phone and calls an underling)
Detective: C’mon. C’mon. c’mon. Pick up. Pick up. C’mon… C’mon.
Scene 2
(Over the shoulder shot- Steady cam)
(Phone Ringing)
Detective: Hello
Police officer: yeah boss
Detective: Can you hear me?
Police Officer: Yeah I can hear you
Detective: Ok. I need you to look up a name called Charles Wicket
Police Officer: Ehh… Yeah sure… but what do you need it for?
Detective: I believe that he is now… a suspect
Scene 3
(Medium-long shot – Zooms in)
(Transition- Fade)
Scene 4
(Medium shot)
(Phone call ends)
(Hitman walks in a room and closes the door. Then goes to sit down and switches on the lamp. He then opens up the book, picks up a pen and starts to cross out names in the book)
(Phone rings)
(Hitman goes into pocket and answers the phone)
Hitman: Hello
Police Officer: (Panting) I’ve got important news. They’ve found information on Charles Wicket.
Hitman: Well, that’s bad news isn’t it? Well I want you to clean this up cus’ that’s why I have you on the inside don’t I?
Police Officer: Yeah Yeah. Definitely, I’ll do it.
(Phone call ends)
Scene 5
(Over the shoulder shot)
(Hitman crosses the name Charles Wicket out of the book)

Casting:
Detective: Louis Liburd


Hitman: Tyler Platt


Police Officer: Muhammad-Ali Mane







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Camera Shots used

  Canted Shot: This slightly tilted shot helps create an imbalance which conveys dramatic tension and a sign of suspense within the film. Over the shoulder: Helps the audience see the detective's heavy work-oriented environment, giving them a chance to see from his point of view. This makes the audience aware of the work that the detective puts in. Mid-Long shot: This provides the viewers with an extended view of the setting that the hitman is in. The lighting which accompanies the shot also shows mystique and suspense as they don't know what is going to happen until the hitman appears out of nowhere. Close Up: This close up shot allows the audience to see the hitmans calm reaction to the called by his distressed associate. This helps the audience create an idea of the hitmans laid back and professional attitude. Over the shoulder: This second close up shot allows the audience to see the Hitman crossing out a previously mentioned name in his per...